News
Covered CA on Adweek’s cover
DC is thrilled to announce that we were awarded the five-year, $400-million Covered CA account. We are resolute in helping at this crucial time when more Californians need coverage than ever.
You can read the cover story on Adweek here or simply scroll down.
BY ERIK OSTER
Covered California, the first and largest state health insurance marketplace in the country, has named San Francisco independent agency Duncan Channon its creative and media agency of record.
The five-year contract is worth around $400 million. Duncan Channon will be responsible for developing creative campaigns to convince Californians to sign up for Covered California healthcare plans, including driving behavioral change in viewers who believe healthcare isn’t right for them or too expensive for them to secure.
“It takes the whole agency, every type of talent we have, to think about a problem like this and work on this business, helping more of our fellow Californians have access to quality, comprehensive insurance. That was always very attractive,” Duncan Channon CCO Michael Lemme told Adweek.
“We put all of our energy, heart and talent into winning it, and we have been putting that into every moment of getting the best work that we can,” he added. “We are in a time when the ability to have insurance is harder for more people, with so many losing their jobs.”
The appointment follows a competitive review earlier this year between seven agencies, including incumbent Campbell Ewald, and concluded before the pandemic’s impact.
Covered California director of marketing Colleen Stevens cited Duncan Channon’s history of “strong creative and ads that can emotionally engage people,” which she explained were important points in convincing an audience that has used internal justifications for going without health insurance for years.
“Self-elimination is our biggest problem,” she said. “That’s why emotional engagement is so important. We have to override their predetermined thought processes.”
“Covered California is an organization that believes in the power of marketing. We think a big chunk of our success is due to marketing,” Stevens added. “We’re trying to change social norms and get people who don’t think this applies to them to investigate further.”
Duncan Channon has previously worked with another state client, California Tobacco Control Program. The agency developed a “Flavors Hook Kids” campaign examining flavored vaping products’ role in youth addiction and a subsequent “Outbreak” campaign focused around the outbreak of vaping-related illness in 2019.
Stevens also stressed the importance of picking an agency with the ability to deliver messaging across California’s diverse population. Duncan Channon’s first campaign for Covered California features ads in multiple languages including Spanish, Chinese, Vietnamese and Korean, as well as English, she said.
The campaign’s process was shaped by the pandemic’s limitations, with the agency relying heavily on remote shoots, and both photo sessions and video production featuring real families—something Stevens said lent the effort a sense of intimacy.
The campaign debuts across several media channels on Nov. 9 and runs to Jan. 31. Stevens explained that the campaign was timed to the open enrollment period beginning on Nov. 1, but that the organization wanted to wait until after the election to avoid the message being drowned out.
The campaign arrives as the Supreme Court prepares to hear a case challenging the Affordable Care Act, responsible for the creation of Covered California and other exchanges around the country, shortly after the election next month.
“In terms of the political climate, we made a conscious decision not to do any messaging around the Supreme Court hearing the ACA case, the election and how the election might change things. Our commitment is to convince Californians that Covered California is strong, stable, has financial resources to make sure people will be covered, [and] that we have good, quality plans,” Stevens said. “On the other hand, California has taken a leadership position in adjusting to changes happening nationally to provide quality service and plans since the beginning.”
While none of the campaign’s messaging addresses the issue, the landmark legislation’s possible termination does lend the effort an added sense of urgency and importance.
“All we can really do is make this program as successful as it deserves to be,” Lemme said. “We’re going to make this program as successful as it can be for the sake of Californians, and to the degree that helps move a broader conversation, then that’s not just a nice thing but part of our intention.”
“Especially now, people are really glad to work on something that has a real tangible benefit and outcome for our neighbors, selves, state and maybe for the nation,” he added.
Work + News
Her name in lights: our Adweek Rising Star.
For those of us that know Madeline Lambie, it’s not surprising to hear her described as a Rising Star. Along with her admirable writing chops, Madeline also flexes her skills as a singer, dancer, producer and nonprofit co-founder. Don’t call her a triple-threat, because it’s not enough, ya know, threats.
New face at the helm
Say hello to our new group creative director, Cristián Costa. He’ll be leading the UNDO account, continuing the work we're proud to have done for the California Department of Public Health for over a decade.
Horizon Organic did not come to play.
In DC’s new campaign the organic dairy trailblazer takes nutrition as seriously as kids navigating a floor covered in make believe lava. That is to say: very, very seriously.
DC’s strategy team brings home an esteemed Jay Chiat Award
Duncan Channon’s "Nicotine Equals" campaign strategy, intended to awaken parents to the teen vaping epidemic, got the judges attention at this year’s 4A’s Jay Chiat Awards.
“We’ve changed!” says Big Tobacco
Guess what, all? The industry that’s responsible for more death and disease than any other and continues to peddle six trillion cigarettes a year is now your friend. Go figure.
A new spin on IPA packaging
Most IPA cans today look like they were designed by the dude that did the Iron Maiden albums. All skulls and green lightning, giving full testosterone and acne vibes. So when tasked with driving a new look for Golden Road’s Ride On series, we banged a uey.
A wanderlust-worthy rebrand
Inspired by the shapes and colors of dream destinations, DC rebrands Viator for a new wave of planning-adverse adventurers.
Kona Big Wave goes even bigger
After a decade of leading creative for Kona Big Wave, DC’s “Bring the Aloha” campaign relaunches the brand for a broader audience, moving beyond its craft roots to a priority position in AB InBev’s premium beer portfolio.
InnovAsian finds balance, and big results.
A blend of content creators and traditional photoshoots was the perfect recipe to increase InnovAsian’s engagement on social – without breaking the budget.
DC appoints first Managing Director, Kumi Croom
A game changer since her arrival six years ago, Kumi will lead account and project management and continue to shape DC’s culture and client relationships.
Empathy over stigma
DC is honored to have been selected by the state of CA to tackle one of the most challenging issues of our generation. And to be covered in AdAge.
This Golden Road work isn’t good
People always ask: You good? But that indicates a pretty baseline, “just okay” type of good. DC’s new campaign for Golden Road asks a question that aims a little higher from a city that does the same.
Contact Us
New business
NOËL JOHNSON
Dir of marketing and client engagement
njohnson@duncanchannon.com
415 306 9237
Jobs, creative
TINA MONTEMAYOR
Dir of creative talent acquisition + equity
tmontemayor@duncanchannon.com
415 306 9282